If you like Live at Radius Gallery, 1/21/17, you may also like:
Larry Polansky: Piano Study #5
by Andrew C. Smith
supported by 11 fans who also own “Live at Radius Gallery, 1/21/17”
If Nyman's 1-100 had a child with Horse Lords on Quaaludes but was one person and they only had a rhodes, it would be this.
go to album
Listening Through 2016
by Indexical
supported by 9 fans who also own “Live at Radius Gallery, 1/21/17”
If Chaos is a Goliath, Davids didn't give him a chance. The only thing missing on this record is 808 pcm sample-handclaps.
go to album
Performances & Recordings 1998-2018
by Charles Curtis
supported by 6 fans who also own “Live at Radius Gallery, 1/21/17”
Sounds like lines. Conducive to bringing out the unknown forms that lurk in our minds.
go to album
NY outfit N to The Power cite Erik Satie, The Meters, and Steve Reich as influences, and you can hear it in their free-roaming songs.
go to album
C. Diab describes “Exit Rumination” as “a sonic exorcism,” and its dark, swelling songs are equal parts catharsis and tension.
go to album
Of Shadow and Substance
by Lea Bertucci
A disquieting, yet serene, reflection on industrial decay from the experimental New York-based composer.
go to album
supported by 6 fans who also own “Live at Radius Gallery, 1/21/17”
“With Julius, he was based in repetition, but here was a spirit of openness and improvisation. His scores, if they were written out that way, were often like jazz scores. He loved multiplying instruments – four pianos, ten cellos – so there was a real feeling of the presence of the instrument, not just using an instrument in some kind of equation, as a means to an end.” ~ Mary Jane Leach Enough said.
go to album
