Performed by JACK Quartet & Lightbulb Ensemble, Peace United Church of Christ, 1/13/17.
“Oblivion” was composed around a few central ideas surrounding tempo and timbre. The composition experiments with an auditory tempo illusion created by accelerating or decelerating trills. Sometimes these resulting layers of tempos deviate from the original tempi. Meanwhile, the overtones from the steel metallophones are quite different from the harmonic overtone series produced by the strings. The fundamental melody is often doubled and sometimes tripled by this combination of overtones to enrich the timbral aspect of the work.
credits
from Early MMXVII,
released May 25, 2017
Performers: JACK Quartet & Lightbulb Ensemble
Engineering by David Dunn.
Mixing by David Dunn and Brian Baumbusch.
NY outfit N to The Power cite Erik Satie, The Meters, and Steve Reich as influences, and you can hear it in their free-roaming songs. Bandcamp New & Notable Sep 20, 2020
C. Diab describes “Exit Rumination” as “a sonic exorcism,” and its dark, swelling songs are equal parts catharsis and tension. Bandcamp New & Notable Mar 26, 2018
supported by 6 fans who also own “Oblivion (Sarang Kim)”
“With Julius, he was based in repetition, but here was a spirit of openness and improvisation. His scores, if they were written out that way, were often like jazz scores. He loved multiplying instruments – four pianos, ten cellos – so there was a real feeling of the presence of the instrument, not just using an instrument in some kind of equation, as a means to an end.” ~ Mary Jane Leach
Enough said. pt