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Larry Polansky: Piano Study #5
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supported by 11 fans who also own “Museum of Extinct Sounds and Imaginary Water Creatures (excerpt)”
If Nyman's 1-100 had a child with Horse Lords on Quaaludes but was one person and they only had a rhodes, it would be this.
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Listening Through 2016
by Indexical
supported by 9 fans who also own “Museum of Extinct Sounds and Imaginary Water Creatures (excerpt)”
If Chaos is a Goliath, Davids didn't give him a chance. The only thing missing on this record is 808 pcm sample-handclaps.
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Performances & Recordings 1998-2018
by Charles Curtis
supported by 6 fans who also own “Museum of Extinct Sounds and Imaginary Water Creatures (excerpt)”
Sounds like lines. Conducive to bringing out the unknown forms that lurk in our minds.
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NY outfit N to The Power cite Erik Satie, The Meters, and Steve Reich as influences, and you can hear it in their free-roaming songs.
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C. Diab describes “Exit Rumination” as “a sonic exorcism,” and its dark, swelling songs are equal parts catharsis and tension.
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Of Shadow and Substance
by Lea Bertucci
A disquieting, yet serene, reflection on industrial decay from the experimental New York-based composer.
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"Everything Else" (NRR37)
by Sarah Hennies
supported by 6 fans who also own “Museum of Extinct Sounds and Imaginary Water Creatures (excerpt)”
Any member of that cohort which has begun applying the gamelan tag to anything vaguely sounding like metal objects knocking together, & anyone who ever wondered what it would be like to be reincarnated as the middle piece of a wind-chime will be immediately enthralled by this release. As a bonus, the wind-chime is built entirely out of recycled mechanical wrist-watches which are haunted by their previous owners who worked in the office of a harmonica factory, but that's not immediately apparent.
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