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Larry Polansky: Piano Study #5
by Andrew C. Smith
supported by 11 fans who also own “Oblivion (Sarang Kim)”
If Nyman's 1-100 had a child with Horse Lords on Quaaludes but was one person and they only had a rhodes, it would be this.
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Listening Through 2016
by Indexical
supported by 9 fans who also own “Oblivion (Sarang Kim)”
If Chaos is a Goliath, Davids didn't give him a chance. The only thing missing on this record is 808 pcm sample-handclaps.
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Performances & Recordings 1998-2018
by Charles Curtis
supported by 6 fans who also own “Oblivion (Sarang Kim)”
Sounds like lines. Conducive to bringing out the unknown forms that lurk in our minds.
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NY outfit N to The Power cite Erik Satie, The Meters, and Steve Reich as influences, and you can hear it in their free-roaming songs.
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C. Diab describes “Exit Rumination” as “a sonic exorcism,” and its dark, swelling songs are equal parts catharsis and tension.
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Of Shadow and Substance
by Lea Bertucci
A disquieting, yet serene, reflection on industrial decay from the experimental New York-based composer.
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"Everything Else" (NRR37)
by Sarah Hennies
supported by 6 fans who also own “Oblivion (Sarang Kim)”
Any member of that cohort which has begun applying the gamelan tag to anything vaguely sounding like metal objects knocking together, & anyone who ever wondered what it would be like to be reincarnated as the middle piece of a wind-chime will be immediately enthralled by this release. As a bonus, the wind-chime is built entirely out of recycled mechanical wrist-watches which are haunted by their previous owners who worked in the office of a harmonica factory, but that's not immediately apparent.
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