Stanchions — five objects resting on a floor of noise. Each is a fragment whose generative material individually exceed the confines of the work’s territory, audible objects distilled from collections of even inaudible larger repetitive processes — we only see the sides of these things which they present to us. Their non locality causes them to pull away the closer we step towards them; in their partially revealed existence, what we hear is both of the object and also its secondary support mechanism.

I: polytetrafluoroethylene - chemical compound for laminate-based product, Formica. a flat, synthesized surface who perceived depth is achieved due to molded fabrication and a clear coating of synthetic resin. compound expands to fit any size, which only concretizes when cooled.

II: Ylem - early hypothetical name of originally substance material - phenomena now explained as subatomic particles.

III: cascading failure - a glitch introduced into a network’s hardware initiating an exponential mass-shutdown of system. viral corruption.

IV: ß Persei - two binary stars circling each other on an expanded orbit around a shared barycenter. the stars are of unequal masses due to the condensation of matter from one to the other, often resulting in eclipsing and other forms of impacted orbit patterns.

V: relic radiation - cosmic background noise leftover from initial universal recombination.

Weston Olencki

Weston Olencki is a New York City based trombonist/composer specializing in the performance and production of experimental music & art. Weston is a member of Ensemble Pamplemousse and the Wet Ink Large Ensemble, one half of RAGE THORMBONES and People Making Sounds, and has performed with Ensemble Dal Niente, ICE, wasteLAnd, wildUP!, Fonema Consort, the San Francisco Contemporary Music Players, Talea Ensemble, sfSound, Wild Rumpus, Eco Ensemble, Chicago Symphony Orchestra's MusicNOW, and a.pe.ri.od.ic - under conductors Alan Pierson, Enno Poppe, Steven Schick, and Marino Formenti. He was awarded the Kranichsteiner Musikpreis for Performance [2016] and a Stipendiumpreis [2014] from the Darmstadt Ferienkurse.

His compositional work has been performed/commissioned by the Talea Ensemble/Earle Brown Music Foundation, Pamplemousse, Bass2Bass [Michelle Lou + Scott Worthington], People Making Sounds, trombonist Matt Barbier, clarinetist Erin Cameron, and saxophonist David Wegehaupt.

Weston has pursued collaborative work with wide range of artists including Eric Wubbels, Michelle Lou, Michael Pisaro, Katherine Young, Zachary James Watkins, Timothy McCormack, Sam Salem, among others. Festival/series appearances include Alatszto Hang [Budapest], Weisslich [Manchester/London], Qubit [NYC], Constellation's Frequency Series [Chicago], FOCIarts [New Orleans], Permutations [NYC/SF], sfSoundSalonSeries [SF], NUNC [Chicago], Indexical [Santa Cruz], Switchboard Presents [SF], OPTION [Chicago], and Omaha Under the Radar. He also co-curates/presents the Chance and Circumstance festival with Pamplemousse, an annual festival for experimental arts in NYC.

Weston has held residencies at the University of California Santa Cruz, Harvard University [HGNM], NYU, and Stanford University, with upcoming residencies at Northwestern, Columbia, and CalArts. He has recorded for HatHut, Not Two, Sound American, Parlour Tapes+, Indexical, and Clean Feed and for Ryuichi Sakamoto, with forthcoming solo releases on Carrier Records.